Designing a Series Look: Zoe Chant, Part I
June 15, 2015Links
June 30, 2015In last week’s post, I talked about being commissioned to create a cover template for Zoe Chant’s paranormal shifter romances, her requirements, and researching her genre. As a prolific writer, she would be using several designers to create her covers, and needed a template that she could give to each designer to make sure that all her books looked like Zoe Chant books.
While researching the tropes in paranormal shifter romance cover design, I also noticed that a lot of covers in this genre put the author name on a dark background, and proposed that we put Zoe’s name on a light background, to make her covers stand out a bit from the general run while still looking like they belonged in that genre. Zoe agreed.
I set these cover standards:
- The cover would be made of composited stock photos.
- The cover would feature a sexy man (or more, if it was a ménage book), with his head partially off the edge of the book.
- Zoe’s name would be placed at the bottom using a free font that all designers would be able to use, in all-caps, on a lighter part of the background.
- The title of the book would occupy a spot about three-quarters of the way down from the top, with a dark band behind it to make the words pop.
- Colors would be bright and saturated if possible, and the animal that the hero shifted into would be prominent.
- The space between the title and the author name would feature photographic elements similar to or from the background of the primary image…
- …and would have a gradient of a light color or white fading to the image, so that Zoe’s name, in a darker font, would pop. [Note: True when I wrote this, but we’ve changed to allowed any color there now. – AS]
That last point, with possible white at the bottom of the cover, produced an interesting issue—the cover would be displayed in Amazon search results on a white background, and a white part of the cover would fade away, making the cover look weird, misshapen, and unbalanced. I solved that problem with one last cover standard:
- A colored horizontal line along the bottom edge, which would delimit the base of the cover and be another consistent design element across her books.
I also came up with a Photoshop file that had the author name, title, dark title background, and pale gradient at the bottom for the designers to use.
Not all designers follow these standards strictly, and that’s fine! Often, the designer chose to ignore one or two of the standards if, in their opinion, it made the cover stronger or fit the theme of that particular story. The designer who did the cover for Undercover Alpha chose a photo with a fully clothed model showing his face, and darkened the background. When I created the cover for Kodiak Moment, I went with a subdued color palette that fit with the cold, wintry feel.
I think this general design is successful. You can tell with one look that each story is by Zoe Chant, and which genre it’s in. Take a look at the selected Zoe covers in my portfolio, then go to Zoe’s website and check out all of her covers.